Nature’s PickMeUp : Vitamin C

Running on empty? Here’s a clever way to make sure your body is topped up every day with easily absorbed, immune-boosting vitamin C.

We all need the boost vitamin C can give us – whether you’re a marathon runner pushing your body to its limits, a businesswoman with a gruelling international travel schedule or a mum who’s permanently short of sleep.

Vitamin C supports your immune system and helps reduce the frequency and severity of ills and chills, which have hit so many of us this year. It also helps you bounce back if you’ve been hit by a bug. Women in particular need vitamin C, because it supports iron absorption, helping prevent energy sapping anaemia.

Vitamin C will also help you look your best – it helps protects cells from harmful free-radicals due to its antioxidant properties and supports the production of collagen, essential for healthy skin. Your body can’t make Vitamin C itself and eliminates any that’s unused, so to stay healthy you need a regular intake of this important vitamin in an easily absorbable form.

Which is where new generation liposomal vitamin C comes in. It uses patented Liposhell® technology that’s proven to provide 80 percent higher absorption than standard vitamin C, so your body will be getting exactly what it needs when it needs it. Handily packaged in single-dose foil sachets, Vitamin C Lipo-Sachets® dissolve easily in water. The sachets are free from alcohol, sugar, gluten and GMO, do not contain artificial flavours or colours, and are suitable for vegans.

They’re available in blackcurrant flavour, and there are also Vitamin C Lipo-Sachets® especially for kids. Vitamin C Lipo-Sachets® deliver nature’s goodness through today’s most up-to-date technology to help keep you healthy. Lipo-Sachets® are available at all good pharmacies, health and grocery stores.

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Meet Soho Wine’s Rachel Carter

As a youngster Rachael Carter set out to work for her father in his wine supplies business. In 2002 Rachel started a screwcap company, her clever marketing “BEST SCREW ON THE PLANET” & hard work lead to a 98% market share & in 2008 she sold the screwcap business.

In 2009 she created SOHO WINES to take on her father’s growing vineyard portfolio. Her quest was to create a unique premium wine brand that embodied a passion for life, culture & all things fabulous. Her target market was herself – realising how much she actually drank this was a recipe for success!




What made you get into wine? 

In 1973 my father, John Carter, started an amazing business supplying everything a winemaker needed to make and package wine. I went to work for him not long after I left school. I already had a passion for wine; discussing and enjoying it with family and friends was all part of my upbringing. In 2000 Dad then invested in vineyards and now SOHO takes all the grapes from Dad’s vineyards.









 If you weren’t working in wine, what do you think you would be doing?

If I could sing I would be a rock star. If I could act I would be an actress living in New York. I love entertainment and I am very much a social beast… hence why I called my wine company SOHO; our wine embodies a passion for life, culture and entertainment.


What are SOHO’s core values?

To make the very best wine we can, sourcing premium grapes and crafting these with winemakers who are specialists in their realm (we have three winemakers from three of the best wine regions).

To have fun along the way. The worst thing about this industry is “wine snobbery”, so it is a golden rule at SOHO to make “seriously” great wine but to never take yourself too “seriously”.

To stand out from the crowd! It is a highly competitive market so we do things very differently at SOHO. Our wines all have names that are inspired by the people and pets in our lives.

We have three wine collections: White label – predominantly retail at the slightly more accessible end, Black label – served in the best bars and restaurants around the world, and our latest Pink Sheep Label which is our charity arm – we donate 50c a bottle to three charities encompassing mental health, children and animals (so far we have donated $88,000!). 

Our last core value is to give back. I think we have a really good reputation as a company that is very caring and supportive of charities and the local community. Our SOHO team is an incredible bunch of people who live out our values and love the hustle!

Soho donate 50c a bottle to three charities encompassing Mental Health, Children and Animals

What was the point where you knew you had ‘made it’?

We have been fortunate enough to win some amazing international gold medals and trophies. In 2016 we won Best Pinot Noir in New Zealand at the International Wine Challenge in London, this was for our Carter Family Havana 2015 Pinot Noir. They say it is the most meticulously judged wine show in the world so this was my biggest win, especially as it was Dad’s vineyard. We have incredible distributors around the world who share the same vision and values as us – they love our brand and story, and share in the SOHO philosophy. Making it is far more than cash in the bank (especially in this cash guzzling game); making it for me is the sweet balance between ambition and contentment.



 Your favourite spot to drink or dine? 

We have so many incredible restaurants and bars that support SOHO so it is hard to choose. That said, I can’t go past Ponsonby Road (my hood) and I would have to choose SPQR. I love the owner, the staff who are the best ever, and of course the food – it is the sort of place to have fun with your best mates but also a place where I can take my mum and daughter. A bit further down the road is Mekong Baby, and again, it is a real reflection of the owners – fun and fabulous in every aspect.

Rachel and Bob

What’s next for you and Soho wines?

We are building a cellar door on Waiheke which will give us a home and a fun place where we can truly deliver the essence of SOHO. Product-wise, we are releasing our first Waiheke Methode Rose Brut (bubbles). It will be called MARA after my Croatian mother’s older sister Mara (Mary) who died at 41. 

Soho did so well in the New World wine awards; What does this win mean for you?

It is huge for us. It means we really are doing great things for a little boutique wine company that started from nothing back in 2009. When I got the phone call from my right-hand girl Shen we were both screaming down the phone with excitement, and that was only when she said BOBBY had won Champion Pinot Noir! She then added, “But wait, there’s more!” and that was obviously that BOBBY had won Champion Red Wine. I was actually walking the wine’s namesake Bobby Obama (my Portuguese water dog) at the time… if anyone was watching me they would have thought I had won Lotto! Believe me, this business is so tough at times, it is a roller coaster ride and for our entry-level Pinot Noir to win this award says to me that it is all well and truly worth it. Big congrats to my amazing Marlborough winemaker Pete Turner and to all my team as it is a total team effort.




Head to www.sohowineco.com for more info!






The Bullet That Missed Book Review

The Bullet That Missed Book Review
By Richard Osman
Publisher: Viking – Penguin Random House
RRP $37
 

Imagine if John Campbell wrote a crime detective series set in a retirement village? 

Richard Osman, author of The Thursday Murder Club, is also a beloved television broadcaster with a large following. After an unexpected and surprising pivot from the screen to the page, the British author’s first novel was a fiscal phenomenon, rocketing straight to the top of the bestseller list. His second novel continued on the same trajectory and his third is set to follow suit. 

The books all involve the same “four harmless pensioners” who, in each novel, pick out a police file of an unsolved murder and play detective. Think successful book series The No. 1 Ladies’ Detective Agency by Alexander McCall-Smith meets Scooby Doo, and you’ll get the idea. 

There’s always a delightful comfort in a good British mystery novel. The plots celebrate gumption and curiosity; there’s good humour and compassion, and in the case of The Thursday Murder Club, a lovely subplot about British culture played out around manners and class.

The story starts with the “Fab Four” luring famous TV presenter Mike Waghorn to do a story about retired living – supposedly – but really, it’s so they can do “research” on their unsolved crime – a missing reporter, Bethany Waites, whose disappearance was never accounted for after her car was found at the bottom of a cliff. 

Elizabeth, Joyce, Ron and Ibrahim, our team of inquisitive pensioners, drive the plot along in classic murder mystery fashion, albeit with their various afflictions of being old. Sometimes they’re cranky, definitely not limber, but they’re smart, sharp and ready to put a plan in action. Best of all is the description and sense of camaraderie and friendship that the novel engenders. Their “nothing to lose because we’re old anyway” spirit is a great subtext to traditional crime-writing as we’re taken across England solving a mystery that involves kidnapping, the KGB and money laundering. Far from being depressing or morbid, it’s a wonderfully funny and wise read.

Just because they’re pensioners, it doesn’t mean there is no interest in sex. Who said it wasn’t on anyone’s mind? 

Make It Pop With Resene

We dare you to deviate from the cookie cutter world and inject a dose of eccentric personality with a pop of colour from Resene



Many will agree that colour induces an array of emotions. But what if we told you that we live in a far greyer world due to mass consumerism and a global decline in culture? 

A wild discovery by a research group used machine learning to track colour changes in everyday items. All commodities, from bed sheets to cars dating back to the 1800s, were colour-coded and added to a database. What they found was a prominent skew of colour disappearing from the world. The modern homes of the ’70s featured bold oranges, emerald greens and wallpapers bursting
with textural patterns. Since Mies Van der Rohe introduced Modernism to the world, contemporary homes of today are minimal, neutral and stripped back, with a singular colour used as a feature if they decide to go “bold”.

When you study heritage cultures around the globe, the world was once soaked in colour. We, as humans, have always been drawn to colour. We’re an emotive species who have always been drawn to the aesthetically pleasing nature of beauty. Colour reflects who we are and how we live. The general rule of thumb applied to most homes are that the plainer and more generic it is, the easier it is to sell to the next renter, buyer or investor, yet the homes that often sell well are the ones that are memorable.

When we abide by modern trends and norms, we risk losing personality and a sense of belonging. Resene recognises this dire call
for more colour to bring back into our homes, and to celebrate the rise of individuality, Resene’s latest colour decks are vibrant and exciting, with the range being aptly dubbed Fashion Collection.

With your eyes being used to monochromatic environments, it may seem like a daunting idea to swing the other way and go all out on the pigments. You need not fear, as we’re here to give you the lowdown on how to do this seemingly overwhelming process in an easy yet tasteful fashion. 

Yellow & Teal

Unexpectedly, this duo is a match made in heaven. Like the colour names, Resene Sunbeam and Resene Boost, this is an absolutely joy-inducing duo. Bold yet balanced, the affordable decor of the coral pink cushion and bright yellow throw atop the opulent grey-blue sitting chair and matching glass lamp is an iconic combo.

Pink & Green

We’ve selected Resene Boundless and Resene Temptation, which, at first glance, are rather striking together. However, due to everyone’s favourite summer fruit, the juicy watermelon hues are not so foreign as they are often seen together, especially in the beauty industry. Also, thanks to HBO’s globe-sweeping series Euphoria, bold eyeshadows have become the norm among TikTokers and Instagrammers alike. Begin with a vase that complements the tone of your couch, then expand into cushions and crockery that all fall within the hues you love. Trenzseater’s armchair mixed with the brass Interior Warehouse’s lamp brings this combination to life. Be bold and brave with your choices. It will most certainly pay off.


Orange & Blue

To find slightly “off-centre” tones from the stark blue and orange we see on the wheel, we’ve picked up Resene Wet N Wild and paired it with Resene Grenadier. We’ve selected a few beautiful pieces that nod to this complementary pairing, and you can instantly see how effective it is. For example, the Bauhaus sofa is calling for Adairs’ terracotta cushions. It’s giving strong Californian accents reminiscent of the ’70s.

Related article: Resene Craft, Floor show

The Creative Coast of Kāpiti

For more than 20 years The Kāpiti Coast Art Trail has been delighting visitors, and the 2022 event looks to be the best ever. Every year, over two weekends, Kāpiti’s finest artists open their studio doors and welcome guests into their special creative spaces. 

The opportunity to explore and experience first-hand the textures, colours and scents within a creative workspace allows visitors to really connect with artists – and their art. It is this personal insight into the creative process that sets the Kāpiti Coast Art Trail apart from other art events.

This year sees a new look for the iconic event which originally started out as a small community event for less than 30 artists. Te Ara Toi o te Takutai Kāptiti – Kāpiti Coast Art Trail 2022 showcases more than 300 artists at over 100 locations. But it isn’t just about the number of artists, the quality of artists is unparalleled in an event outside of recognised exhibition spaces.

Artist: Rosemary Mortimer

High-profile artists include Elisabeth Vullings who has been a finalist in the Parkin Drawing AwardS 4 times, securing a highly commended award In 2020. Rebecca Bond is a 4-times World of Wearable Art finalist who will be exhibiting her beautiful jewellery. Sculptor Storm Davenport, painter Roger Daniel, and mosaic artist Jone Santos have all exhibited works at the New Zealand Academy of Fine Arts.  Nationally recognised potter Jennifer Turnbull has been welcoming Art Trail guests for many years and looks forward to the interaction she has each year with those who come to her garden studio in Ōtaki.

Artist: Elisabeth Vullings

Spread along more than 40km of coastline, the Kāpiti Coast Art Trail is a self-guided journey of discovery through gardens abundant with spring growth. The Trail guide and website provide the tools for visitors to plan their own route around the beautiful Kāpiti Coast with many visitors discovering something new every year.  And year after year they come – many make it an annual event, staying for the weekend with their best friends.

Artist: Roger Daniell

The Art Trail event simply provides a perfect excuse to really explore everything the Kapiti coast has to offer. The selection of eateries improves every year ranging from quaint and quirky to the avant-garde 50-50 restaurant which was awarded a chef hat in the 2021 Cuisine awards with an incredible 16/20 score.  And while the Kapiti Coast might not boast a huge number of high-end hotels, the selection of excellent quality peer-to-peer accommodation options (such as Air BnB) is almost unrivalled.

Unlike most 21-year-olds, the Kāpiti Coast Art Trail offers a level of sophistication often not seen in art events outside reputable galleries. The calibre of artists involved in the Art Trail in 2022 will satisfy even the most discerning art aficionado while still giving space to up-and-coming artists. It is also very conveniently timed for Christmas Shopping so makes for a fabulous day out or weekend away to pick up that unique treasure for someone or somewhere special.

Discover something special on the Kāpiti Coast Art Trail 2022 Te Ara Toi o te Takutai Kāpiti on November 5-6 and 12-13.

Visit kapiticoast.govt.nz/arts-trail to plan your trip now.

Find out more:

www.KapitiCoastArtTrail.co.nz

www.facebook.com/KapitiCoastArtTrail

A World Of Wine : Winetopia

Bringing the best South Australian wine and food to Auckland  

In a Winetopia first, New Zealand’s biggest and most extravagant celebration of wine, will be welcoming South Australian winemakers to its popular Auckland event – Winetopia presented by Singapore Airlines, making it its first international wine offering.  

Over the past seven years, Winetopia has focused solely on showcasing New Zealand wine and food producers, but this year Auckland attendees will also be treated to a new dedicated area, ‘Tasting South Australia.’  For those with adventurous palates, the gorgeous Barossa Shiraz, Coonawarra Cabernet Sauvignon, and numerous blends will be waiting. There is even a Kangaroo Slider Bar, serving delicious burgers from Macro Group, the world’s largest distributor of sustainably sourced Australian kangaroo and wild game meat. 

South Australian wineries partaking in Winetopia include: Thorn Clarke Wines, Rymill, Unico Zelo, Metala, Dandelion Vineyards, Sisters Run, Yalumba, Geoff Hardy, Portia Valley, Organic Hill and Levrier Wines by Jo Irvine.  

In addition to the food and wine exhibited within the Tasting South Australia area, visitors will have the opportunity to ‘tour’ each region of New Zealand to try more than 300 wines from 60 of New Zealand’s most celebrated wineries. Spanning nine wine regions and 20+ varietals, wine lovers will be hard pressed to find a more comprehensive wine event. 

Dine Social

In another Winetopia first, Dine Social will be showcasing five pop-up eateries, featuring a range of culinary styles, ensuring that there’s something to cater to everyone’s cravings. A large seating area complete with vineyard backdrops and magical string lighting overhead courtesy of Singapore Airlines, make it the perfect place to unwind while enjoying superb cuisine.  Participating eateries include: Olive Black, The Artisan Hub, Rag Tag Tacos, Passa Passa pizza fritta, and South American Oven. Mahurangi Oysters and Foundry Chocolates complete the food line-up. 

Throughout the event, guests can partake in a wealth of activities including more than 40 interactive talks, masterclasses, and intimate tastings.  This includes the Gaggenau Sommelier Sessions featuring Chefs Des Harris and Tim Read, who will be joined by a line-up of leading sommeliers.  

Top it all off with music from four award-winning musicians, and it’s certain to be an event that won’t soon be forgotten! 

    

General admission tickets are just $49. Click here to get involved!

Winetopia will be taking place at Shed 10 Auckland over three event sessions:  

  • Friday, 28 October: 5pm – 8:30pm 
  • Saturday, 29 October: 12pm-3:30pm 
  • Saturday, 29 October: 4:30pm -8:00pm  

Healthier, happier homes with G.J. Gardner

More energy-efficient building codes are on the way, and G.J. Gardner are welcoming them with open arms, as another step forward in their drive to build exceptional homes for New Zealanders.

Life is for living not for suffering through the seasons – hot and bothered in summer, battling Jack Frost in winter. And an energy-efficient house, where the comforts of heating and cooling don’t send you bankrupt, is your BFF (best friend forever) if you and your family want to enjoy an easy-going lifestyle no matter what the weather throws at you.  

Exterior cladding: The Brickery San Selmo Smoked Grey Cashmere, James Hardie Easylap Panel with Battens in Dulux Wairakei full

To ensure new homes in New Zealand are making good use of best-practice thinking, materials and technologies, every year MBIE (the Ministry of Business, Innovation and Employment) reviews the Building Code. In 2021, with an eye on improving the energy efficiency provisions of new builds, they made the most significant updates to the code in a decade. They called it the H1 clause.

Interior paint: Wairakei Half, features in Timbacryl Colorsteel Lichen and Amazon Vine

A code to live by

At GJ’s we greeted the H1 clause with a big high-five. We welcome these changes as a positive step forward. They’ll help to ensure New Zealand homeowners enjoy a better, more sustainably-focussed future.

Although there are still ways you could build a home that performs poorly under the new rules, that’s not something we’d advocate. A healthy home is good for the body and a salve for the mind. Throw in the fact that an energy-efficient home performs well come rain or shine and it’s a balm for the long-term budget too. That’s a win, win, win in our book.

So, we’re primed for action. We’ve already run energy-efficiency courses to ensure our teams are clued up on the H1 updates and we’re excited about the real difference it will make to the everyday in people’s lives.

New rules aside, GJ’s aim has always been high. We strive to design homes with exceptional performance. We lean into sustainable choices and embrace energy efficiency because it’s the right thing to do. Our method goes beyond simply choosing superior insulation materials and double glazing. GJ’s takes a ‘whole house’ approach where we consider many ways to make your home an energy-efficient exemplar. For instance, we design it to capture the sun and with window placement to prevent excessive heat loss.

Carpet: Belgotex Boulevard Kerb 90

How does H1 affect me?

While the first updates were due to come into effect on 3 November 2022, it seems likely this date will be pushed out to allow the industry to get up to speed. Still if you’re dreaming of a new build, you’ll want to know (right now), how H1 changes will affect your project.

Firstly, the code changes will introduce six climate zones, replacing the current three. This allows us to provide the best living environment for a home’s occupants based on its location. As builders, we can better cater for different climates. That’s logical. Does Nelson have similar weather issues to Queenstown? It does not. In the South Island particularly, which was previously only one zone, the changes are old-fashioned common sense.  

Across New Zealand, new builds will also require an increased amount of roof insulation and a minimum level for window insulation. And yes, there will be a difference in cost. This will vary according to climate zone and the type of house you build. Our teams will work alongside you on a design that meets the new codes and your budget. At the end of the day (and at the beginning) you’ll get a better-performing home. Remember the future perfect: energy efficiency ultimately pays for itself through energy savings and ensuring a healthy living environment.

To streamline the process, the codes will be checked by councils using an energy efficiency calculation and compliance ticked off before the start of construction.

There you have it. Clause H1 signifies an upgrade to the energy efficiency performance of your new build. But more. To us at GJ’s, H = healthy and, in the long-term, H = Happy too.

Why choose GJ’s:

• New Zealand´s most trusted home builder, through independent research
• Most successful building team for over 2 decades
• Over 20,000 homes built in NZ, never any uncompleted
• You get the best of both worlds – the care of a local builder with the reassurance of GJ’s
• Unsurpassed value due to our size, providing our customers with the best value homes in the market
• Agreed contract price and agreed completion times providing you with certainty
• Our promise is to build you a home we can both be proud of The final assurance you can have is this simple fact: More New Zealanders trust G.J. Gardner to build their homes than any other builder.

If you have any questions about the new code requirements for energy efficiency, talk to your local GJ’s salespersons









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Te Reo, The Moon & Me – Hinemoa Elder

The world’s in a mess, but Dr Hinemoa Elder says the traditional wisdom she explores in her new book can help us find a way forward. She tells Alexia Santamaria about learning to relax and be still, the pleasure of gardening and her ongoing battle to master te reo

It’s been a challenging few years for Dr Hinemoa Elder, as wave upon wave of bad news has swept the world – pandemic, war and the climate emergency engulfing us all with feelings of fear and disconnection.

As a psychiatrist, she’s seen rising levels of distress and unease in her clients, as well as those around her. “Especially since Covid, I get messages at different times of the day from all sorts of people who need support, and I try to be as responsive as I can.”

That takes a personal toll though, and she admits, “I am finding it hard to slow down a bit and take breaks after being so full-on over the last almost three years. It feels like relearning to relax.  I try to just sit still, have a cuppa. Listen to my breathing. Listen to my whānau who are trying to encourage me to find some moments of stillness again.”

Hinemoa (Ngati Kuri, Te Rarawa, Te Aupōuri and Ngapuhi) has also found comfort, and answers to some of today’s problems, by drawing on the ancient wisdom of those who came before. It’s a journey she’s been on for 15 years, rediscovering and reconnecting with te ao Māori, the Māori world.

That revisiting of ancestral wisdom resulted in best-seller Aroha, based on 52 traditional whakataukī – sayings that offer traditional insight and steer us towards a more contented, kinder life. Now, Hinemoa’s new book Wawata – Moon Dreaming reflects on the different faces and phases of Hina (the moon) and what it can tell us about how to live today.

Each of the 30 days of the Maori lunar rotation has its own name. “One of the reasons I wrote the book was that I found myself struggling to remember the names of the different faces of Hina every day. I realised part of the reason I was struggling with it was because I didn’t have a story for each of them.”

In Wawata, each of those faces comes with its own story and Hinemoa’s thoughts on where those tales lead us. From reflections on periods “…such a such a profound and clear link with the natural world, with our environment… yet when colonisers came, such was the power of their brainwashing, that healthy female cycles were deemed dangerous, were thought of as a disease” to the power of questioning and dreaming, and the pent-up female rage she sees in young women she deals with in the court system. Hinemoa says it breaks her heart that most of them have developed their “fearsome wrath” because of being subjected to violence themselves.

A fundamental discovery of Hinemoa’s te ao Māori journey is how “mātauranga Māori [Māori knowledge] is so healing and so helpful and so thought-provoking about so many things, about our health and wellbeing,” she says.

“Our Māori way of thinking about hinengaro, the mind, and about Hina, our moon who guides time, is fundamentally different from the conventional Pākehā way of thinking about time. In the Pākehā world, we are always in some sort of rush, fighting against time… I don’t want to be late… watching the clock, trying to control time. We can have such a tense and fractious relationship with time.”

Thinking about the lunar cycle helps us connect with the natural world and it can be profoundly reassuring to understand that we can’t control everything. “There’s a sense of the moon changes, her face changes every day and night, there’s lots of change happening around us all the time, the tides, the seasons, the weather, different flowers blooming at different times, the birds. There are times for fishing, times for planting things, there are times for different emotions. That’s why I talk about the tide of human emotions.”

It also fascinates Hinemoa the way her energy ebbs and flows at different phases of the maramataka  [lunar calendar]. She hopes readers might find it helpful to pick up their own patterns – when they’re like to be low on energy or full of strength. Personally, Hinemoa says this knowledge “helps me to accept what my energy levels are doing and to let go of my tendency to push myself no matter what”.

Writing Wawata has also given Hinemoa the chance to pass on some of what she has learned to others. Losing her mother 31 years ago meant she didn’t always have that maternal wisdom when she needed it.

“I’m soon to be 57 – and so I’ve got a few runs on the board if you like – and I’ve lived some different experiences and I was just really aware of the need to pass some stories on – especially to younger kōtiro, perhaps in their teenage years or young adulthood. And to share some stories that some of my aunties and older women might resonate with as well, as many have also had different paths.  I’m hopeful it might resonate with other people too, not just Māori, but with people from all cultures.”

And in the meantime, she’s trying to live some of the ancient wisdom that’s reflected in the book – getting closer to the natural word at her Waiheke Island home. She likes to wake early, to the birds rather than to an alarm. “Alarm, what a nasty word for something we commonly wake to,” she notes.

She often finds herself looking at Hina when she’s still visible in the mornings and catching a glimpse of her in the evenings when the clouds part to reveal her.

“I love to get into the māra, the garden. Planting veges, seeing the garlic grow tall, the strawberry plants flowering recently is a rongoā [medicine] for me.”

And always in the background is learning te reo, which Hinemoa calls a “journey without end”.  Sometimes it’s a real struggle, she says, “and I feel like I am going backwards. We speak it on the phone and at home. And I know my reo is pretty basic.

“One of my wawata is that we can have this interview in te reo in the future and that the magazines and newspapers will all be bilingual one day.”

RRP $24.99

Extract from the book:
“Our tūpuna, our ancestors, had a different relationship with time. They recognised time as part of the natural world’s life cycle. And our Moon, Hina, this mysterious female deity, has long held a special role in signalling the different energies of time across each month. Hina’s travels have fascinated me for many years. I recently dug out some of my old maramataka, my Māori calendars, that I kept from the mid 2000s. Hina’s influence in my life has taken on more and more potency over the years. Connecting back with our old people’s knowledge about her role in nature and therefore her effect on us. Opening up a deeper awareness of our place in the natural world, we begin to feel our insignificance, our place in the order of things. Not an easy path. Fraught and sad, lonely and frustrating at times. Lessons we thought we had learned come back around with each month’s cycle and remind us of deeper layers and blind spots. And when we do find a growing sense of place, of harmony, there is such a sense of release. A new kind of freedom starts to emerge. Our most ‘feeling’ selves if you like. This is the journey where our minds can wander, where we can begin to dream. Hina provides a natural resetting while we travel with her across the month. She guides us with the qualities of each luminous reflection, soothing our modern-day pain and suffering.” 

Frida Kahlo and Diego Rivera: Art and Life in Modern Mexico

Blood and glitter. Red and gold. These are the things that jump into my mind when I remember Frida Kahlo.

Frida’s famous self-portrait Diego and I (1949)

Frida was an 18-year-old student enrolled at the National Preparatory School in Mexico city when the accident happened in 1925. The bus she was travelling on collided with an electric trolley car at high speed, and the result was carnage. The impact seemed oddly benign, Frida reminisced. “Not violent but dull and slow, and it injured everyone, me more seriously.” 

A metal rod skewered Frida through the middle. The blood at the scene was hers, the festive golden glitter that flew across the compartment, came from a passenger’s bag. At the hospital she was taken to, Frida was left for dead.

When I would tell this story to art students, colossal images of her work beamed up on the screens behind me, I had to manage my voice. Keep that waver out that indicates emotion. Because, for me, Frida’s story is intensely moving. She is probably the most broken, yet also brave and iconic woman painter of the 20th century. I will always love her work, but the reasons for it, I find, equally compelling. Maybe it’s the biographer in me, overwhelming the purest art historian, but I believe no artist has brought life and art together more hermetically than Frida Kahlo. 

Before she boarded the bus, Frida was damaged. A bout of polio at six years old had left her with one withered leg. The accident added a litany of horrifying health issues including a broken spinal column, collarbone, ribs, pelvis; her right leg smashed into 11 pieces, and her right foot crushed. During her lifetime, considerably shortened by this one event, she would endure 30 separate operations, including an amputation to remove the leg she fought so hard to save.

Frida Kahlo dreamt of being a doctor – instead, her life would be defined by them. For months after the accident she was bed ridden in a full-body plaster cast. She began making art to mitigate boredom and the nightmare of painful procedures. Her parents provided her with a lap easel, and a mirror mounted on the framework which 

protected her from the heavy weight of her bedding. Her reflection in this mirror became Frida’s frequent and ultimately most famous subject matter.

As she got stronger and her portraits more skilful, her ambition shifted from medicine to painting. It was in an art context that she met, renowned Mexican painter, Diego Rivera. “There have been two great accidents in my life [that have broken me],” Frida once wrote in her journal. One was the trolley car; the other was Diego. 

They first saw each other when Frida was a 15-year-old school girl, and the muralist Diego, 36. But it wasn’t until after Frida’s accident, and in 1928, that their pairing began.

“You have talent,” Diego, told Frieda when she showed him her self-portraits. “You must continue to paint.” 

With Diego’s words of encouragement, Frida threw herself into her work and a new life with the already married, middle-aged muralist. They were known by friends and associates as the “dove and the elephant”. Diego was a persistent philanderer, and Frida, openly bisexual, frequently slept with women; and, in 1937, enjoyed a brief affair with political asylum seeker, Leon Trotsky. Toxic and traumatic, their lifelong love affair would, however, be sustaining for both painters.

Frida, who moved in Diego’s Mexican revolutionary painting circles, and was influenced by the national and indigenous tradition, mostly pursued her own very personal subject matter. Her paintings offering a uncompromising depiction of the female experience. My Birth (1932), with its bloodied bedsheets, is a brutally honest portrayal of Frida’s mother giving birth to her. It was painted not long after her mother’s death, and just after her own miscarriage. Frida’s accident left her unable to have children, and this personal tragedy, along with the consequences of her accident, portrayed in iconic paintings such as The Broken Column (1944), were her greatest achievement.

The personal became political in Frida’s painting, and her damaged life the material of art. Perhaps, it isn’t any wonder, then, that one’s voice wavers a bit when telling the story of this remarkable feminist rock star.

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